WERTHEIMER: An upset in college football, Iowa State upset number two-ranked Oklahoma State in double overtime. That's a major shuffle for the BCS. And the NBA appears to have reached a stalemate. But some say NBA owners and players may have another go at reaching an agreement.
Joining us from member station WFCR in Amherst, Massachusetts is Howard Bryant, senior writer for ESPN.com and ESPN The Magazine.
With Thanksgiving just days away, many are struggling this weekend with what to prepare. Thanksgiving dinner's menu is hard to change, but maybe we can get away with reconsidering dessert. Guest host Linda Wertheimer gets recommendations from chef Frank Stitt, author of Southern Table.
In the crowded race for the 2012 Republican presidential nomination, Mitt Romney may be the tortoise, but Newt Gingrich is the newt. And newts are highly adaptive salamanders that regenerate limbs when wounded and emit poison when challenged.
Conventional — and up-to-the-minute contemporary — wisdom pegs Gingrich as the ascendant favorite, knocking other candidates off their posts and platforms like an Angry Bird.
The congressional supercommittee has only a few days left to come up with a plan to cut $1.2 trillion from the federal deficit. One of the areas on the chopping block is the nation's defense budget, and Pentagon officials are pushing back against any cuts beyond the $450 billion they've already been asked to make.
The defense budget is an easy target when it comes to cutting the deficit, because it makes up half of the federal government's entire discretionary budget, says Todd Harrison, a senior fellow at the Center for Strategic and Budgetary Assessments.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The Sense of an Ending, winner of the 2011 Man Booker Prize, might be — paradoxically — Julian Barnes' slenderest and most emotionally forthcoming book to date. In his previous novels and short stories, emotion has been stifled, concealed or tucked behind technical devices (as in Flaubert's Parrot). In this latest book, feeling is laid bare and imbued into Barnes' longstanding intellectual preoccupations with authorship, authenticity and mortality.