Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

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12:27pm

Mon March 5, 2012
Music Reviews

Dierks Bentley's 'Home' Is Full Of Country Struggles

Courtesy of the artist

Dierks Bentley has a nice, deep voice; an open, friendly demeanor; and a knack for working in a variety of country-music genres, from bluegrass to power ballads. For all that, it's always been difficult to pin down what Bentley aims to do. Although he's only in his 30s, Bentley sounds as though he's working through a bit of a midlife crisis on his new album Home. Take, for example, the single "Am I the Only One," a novelty tune about going out to party with a twist — not many of Bentley's pals want to join him, because they've settled into adulthood, and he hasn't.

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11:31am

Tue February 21, 2012
Music Reviews

'Barchords': An Intense, Pensive Album About Love

Originally published on Wed March 14, 2012 10:54 am

Afie Jurvanen
Dave Gillespie All Eyes Media

The song "I Got You Babe," on Bahamas' new album, Barchords, is obviously not Sonny and Cher's "I Got You Babe." This version is an original song the Canadian singer-songwriter Afie Jurvanen, who records under the stage name Bahamas, has written about holding and losing someone.

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11:28am

Wed February 8, 2012
Music Reviews

Chuck Prophet's 'Beautiful' Homage To San Francisco

Chuck Prophet.
Charlie Homo

Chuck Prophet's new album, Temple Beautiful, takes its name from a former synagogue that hosted punk-rock shows in the late '70s and early '80s; it was next door to the temple overseen by cult leader Jim Jones. That may sound like a grim or black-humored reference point around which to erect an album, but with Prophet, grimness, humor, fact and fiction mingle freely. Before anything else, he's a guitar player with a melodically nasal voice whose phrasing favors the whimsical and the querulous.

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11:58am

Thu February 2, 2012
Music Reviews

Lana Del Rey: The Self-Made Pop Star As Target

Lana Del Ray
Nicole Nodland Shore Fire

Lana Del Rey appeared on Saturday Night Live recently, giving two rather tentative performances that, depending on your point of view, were awkward and amateurish or shrewdly restrained and vulnerable. Del Rey, in her mid-20s, attracts polarizing opinions.

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12:53pm

Tue January 31, 2012
Music Reviews

Leonard Cohen's 'Old Ideas' Inspire Confidence

Leonard Cohen.
Courtesy of the artist

At this point in his life, Leonard Cohen sings with a voice so deep and bottomless, he may as well be singing from underneath the earth. But that doesn't mean it's faint, or murky, or dead. Cohen's cracked baritone enunciates meticulous lyrics that sound searching, restless and jaunty. This has long been Cohen's saving grace: His dry humor juices up his more portentous pronouncements.

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12:02pm

Thu January 12, 2012
Country

Janie Fricke: The 'Country Side Of Bluegrass'

Originally published on Thu January 12, 2012 2:14 pm

Janie Fricke.
Courtesy of the artist

Janie Fricke has had a long, winding career. She started out as a singer of TV commercial jingles, warbling for Coca-Cola, McDonald's and Red Lobster, among other clients. She then moved on to singing back-up vocals for stars such as Elvis Presley, Loretta Lynn and Dolly Parton.

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11:36am

Thu January 5, 2012
Music Reviews

On 'Back To Love,' Hamilton Makes Every Syllable Count

Anthony Hamilton.
Courtesy of the artist

On Back to Love, Anthony Hamilton makes music from declarations. He tells a woman "I'm missing you crazy" in "Who's Loving You," and it's typical of his strategy. He states his thesis, his opinion, his desire in a voice that speaks as much as it sings for the sake of emphasis. After he's sure he's gotten his lover's attention, he begins doing his rhythm-and-blues work, mixing soul and blues and hip-hop phrasing to heighten the emotion in a song.

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10:09am

Tue December 20, 2011
Best Music Of 2011

Ken Tucker's Top 10: The Year In Music

W W Norton & Co Inc

12:38pm

Thu December 8, 2011
Music Reviews

The Black Keys: A Reinvention On 'El Camino'

Originally published on Thu December 8, 2011 1:12 pm

Dan Auerbach and Patrick Carney released El Camino, their latest album as The Black Keys, earlier this week.
Courtesy of the artist

Careening into your ears like the theme to a bank-heist flick is "Lonely Boy," the first single from El Camino. Except the lyric tucked inside the roaring, curve-hugging melody isn't about anything so action-packed as robbing a bank or making a getaway. Instead, Dan Auerbach sings about stasis: "I got a love that keeps me waiting." And, being the sensible raucous rocker that he is, Auerbach is willing to wait out his love, because he knows in his heart that she's worth it.

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11:48am

Wed November 30, 2011
Music Reviews

Buck Owens: Finding His Voice In 'Bakersfield'

Courtesy of the artist

I'm not much for collections of alternate takes and the early music of people who went on to have hits. There's usually a reason a song doesn't become a hit, just as there's usually a reason to record another take — it's because the music is usually lousy. But I'm a little bit obsessed with a new collection of Buck Owens performances from the years before he became a star.

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12:00pm

Tue November 22, 2011
Music Reviews

David Lynch Dreams Up 'Crazy Clown Time'

David Lynch.
Mark Berry

David Lynch commences Crazy Clown Time with "Pinky's Dream," featuring a vocal by the Yeah Yeah Yeahs' Karen O and summoning up, as the song title suggests, a dreamy atmosphere. With Karen O's pretty voice and the galloping rock beat, it's as though Lynch is trying to ease us into his album, ushering us into a welcoming waiting room before the real operation, when the scalpel comes out.

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11:19am

Wed November 9, 2011
Country

'Four The Record,' Lambert Comes To Terms With Herself

Miranda Lambert
Kevin Winter Getty Images

Four the Record is a transitional collection for Miranda Lambert. Her preceding three albums played up the idea of Miranda as a good ol' gal with an explosive emotional streak. You saw it in titles like "Kerosene," "Crazy Ex-Girlfriend" and "Gunpowder and Lead." Four The Record is an album whose subtext is all about coming to terms with the expectations of her audience, and with her expectations for herself as a performer wanting to broaden her subject matter, to work in more varied styles.

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12:07pm

Thu November 3, 2011
Music Reviews

Kelly Clarkson's Vocals Keep Getting 'Stronger'

Kelly Clarkson.
Harper Smith

Like a lot of successful American Idol contestants, Kelly Clarkson made her reputation as a belter — as someone who could project to the rafters and rouse a crowd — which doesn't necessarily translate into good pop singing. Ever since Bing Crosby started using the microphone as an instrument for achieving intimacy and nuance, the idea of delivering popular song as operatic aria is a flawed strategy. But everybody loves an anthem, right?

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12:28pm

Thu October 27, 2011
Music Reviews

Deer Tick: Finding 'Divine Providence' Along The Way

Originally published on Fri October 28, 2011 8:51 am

The title of Deer Tick's new album, Divine Providence, is a pun: The band hails from the capital of Rhode Island. But the other side of the pun is sarcastic. There's little on the album concerning divine providence or care. Nor is the band provident — frugal or prudent — about its talent and music. Group frontman John McCauley continues to sing as though the primary idea is to shred his vocal cords.

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